New Arrivals: PN 2000 - PN 3310.9999
Showing 1 - 25 of 28 new items.
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© 2017,Charlamagne Tha God shares his unlikely success story as well as how embracing one's truths is a fundamental key to success and happiness. In his new book, Charlamagne Tha God presents his comic, often controversial, and always brutally honest insights on how living an authentic life is the quickest path to success. Beginning with his journey from the small town of Moncks Corner, South Carolina to his headline grabbing interviews with celebrities like Justin Bieber, Jay-Z, Nicki Minaj, Kanye West, and Hillary Clinton, he shares how he turned his troubled early life around by owning his mistakes and refusing to give up on his dreams, even after his controversial opinions got him fired from several on-air jobs. Combining his own story with bold advice and his signature commitment to honesty at all costs, Charlamagne hopes this book will give others the confidence to live their own truths. -
© 2017,In his New York Times bestselling memoir, A Work in Progress, Connor Franta shared his journey from small-town Midwestern boy to full-fledged Internet sensation. Exploring his past with humor and astounding insight, Connor reminded his fans of why they first fell in love with him on YouTube--and revealed to newcomers how he relates to his millions of dedicated followers. Now, two years later, Connor is ready to bring to light a side of himself he's rarely shown on or off camera. In this diary-like look at his life since A Work in Progress, Connor talks about his battles with clinical depression, social anxiety, self-love, and acceptance; his desire to maintain an authentic self in a world that values shares and likes over true connections; his struggles with love and loss; and his renewed efforts to be in the moment--with others and himself. Told through short essays, letters to his past and future selves, poetry, and original photography, Note to Self is a raw, in-the-moment look at the fascinating interior life of a young creator turning inward in order to move forward. -
© 2017,"A thorough and sophisticated effort to answer an interesting question: How did an indifferently raised, self-flagellating kid from a just-making-ends-meet, desultorily functioning Long Island family, in Massapequa, turn into Alec Baldwin, gifted actor, familiar public figure, impressively thoughtful person, notorious pugilist? . . . Beautifully written and unexpectedly moving . . . . Baldwin writes with great knowledge about old films, the art of acting, what he has learned from other actors, and about the differences among television, film and theater. . . . He's a highly literate and fluent writer." -- New York Times One of the most accomplished and outspoken actors today chronicles the highs and lows of his life in this beautifully written, candid memoir. Over the past three decades, Alec Baldwin has established himself as one of Hollywood's most gifted, hilarious, and controversial leading men. From his work in popular movies, including Beetlejuice, Working Girl, Glengarry Glen Ross, The Cooler, and Martin Scorsese's The Departed to his role as Jack Donaghy on Tina Fey's irreverent series 30 Rock --for which he won two Emmys, three Golden Globes, and seven Screen Actors Guild Awards--and as Republican presidential candidate Donald Trump on Saturday Night Live , he's both a household name and a deeply respected actor. In Nevertheless , Baldwin transcends his public persona, making public facets of his life he has long kept private. In this honest, affecting memoir, he introduces us to the Long Island child who felt burdened by his family's financial strains and his parents' unhappy marriage; the Washington, DC, college student gearing up for a career in politics; the self-named "Love Taxi" who helped friends solve their romantic problems while neglecting his own; the young soap actor learning from giants of the theatre; the addict drawn to drugs and alcohol who struggles with sobriety; the husband and father who acknowledges his failings and battles to overcome them; and the consummate professional for whom the work is everything. Throughout Nevertheless , one constant emerges: the fearlessness that defines and drives Baldwin's life. Told with his signature candor, astute observational savvy, and devastating wit, Nevertheless reveals an Alec Baldwin we have never fully seen before. -
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© 2016,A collection of humorous autobiographical essays by the Academy Award-nominated actress and star of Up in the Air and Pitch Perfect . Even before she made a name for herself on the silver screen starring in films like Pitch Perfect , Up in the Air , Twilig ht , and Into the Woods , Anna Kendrick was unusually small, weird, and 10 percent defiant. At the ripe age of thirteen, she had already resolved to keep the crazy inside my head where it belonged. Forever. But here s the thing about crazy: It. Wants. Out. In Scrappy Little Nobody , she invites readers inside her brain, sharing extraordinary and charmingly ordinary stories with candor and winningly wry observations. With her razor-sharp wit, Anna recounts the absurdities she s experienced on her way to and from the heart of pop culture as only she can from her unusual path to the performing arts (Vanilla Ice and baggy neon pants may have played a role) to her double life as a middle-school student who also starred on Broadway to her initial dating experiments (including only liking boys who didn t like her back) to reviewing a binder full of butt doubles to her struggle to live like an adult woman instead of a perpetual man-child. Enter Anna s world and follow her rise from scrappy little nobody to somebody who dazzles on the stage, the screen, and now the page with an electric, singular voice, at once familiar and surprising, sharp and sweet, funny and serious (well, not that serious)."
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© 2016,#1 NEW YORK TIMES BESTSELLER * The compelling, inspiring, and comically sublime story of one man's coming-of-age, set during the twilight of apartheid and the tumultuous days of freedom that followed NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Michiko Kakutani, New York Times * Newsday * Esquire * NPR * Booklist Trevor Noah's unlikely path from apartheid South Africa to the desk of The Daily Show began with a criminal act: his birth. Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison. Living proof of his parents' indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa's tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and freely and embracing the opportunities won by a centuries-long struggle. Born a Crime is the story of a mischievous young boy who grows into a restless young man as he struggles to find himself in a world where he was never supposed to exist. It is also the story of that young man's relationship with his fearless, rebellious, and fervently religious mother--his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life. The stories collected here are by turns hilarious, dramatic, and deeply affecting. Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Trevor illuminates his curious world with an incisive wit and unflinching honesty. His stories weave together to form a moving and searingly funny portrait of a boy making his way through a damaged world in a dangerous time, armed only with a keen sense of humor and a mother's unconventional, unconditional love. Praise for Born a Crime "[A] compelling new memoir . . . By turns alarming, sad and funny, [Trevor Noah's] book provides a harrowing look, through the prism of Mr. Noah's family, at life in South Africa under apartheid. . . . Born a Crime is not just an unnerving account of growing up in South Africa under apartheid, but a love letter to the author's remarkable mother." --Michiko Kakutani, The New York Times "[An] unforgettable memoir." -- Parade "What makes Born a Crime such a soul-nourishing pleasure, even with all its darker edges and perilous turns, is reading Noah recount in brisk, warmly conversational prose how he learned to negotiate his way through the bullying and ostracism. . . . What also helped was having a mother like Patricia Nombuyiselo Noah. . . . Consider Born a Crime another such gift to her--and an enormous gift to the rest of us." --USA Today "[Noah] thrives with the help of his astonishingly fearless mother. . . . Their fierce bond makes this story soar." --People "[Noah's] electrifying memoir sparkles with funny stories . . . and his candid and compassionate essays deepen our perception of the complexities of race, gender, and class." -- Booklist (starred review) "A gritty memoir . . . studded with insight and provocative social criticism . . . with flashes of brilliant storytelling and acute observations." -- Kirkus Reviews
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© 2016,NEW YORK TIMES BESTSELLER * In this collection of personal essays, the beloved star of Gilmore Girls and Parenthood reveals stories about life, love, and working as a woman in Hollywood--along with behind-the-scenes dispatches from the set of the new Gilmore Girls, where she plays the fast-talking Lorelai Gilmore once again. In Talking as Fast as I Can, Lauren Graham hits pause for a moment and looks back on her life, sharing laugh-out-loud stories about growing up, starting out as an actress, and, years later, sitting in her trailer on the Parenthood set and asking herself, "Did you, um, make it?" She opens up about the challenges of being single in Hollywood ("Strangers were worried about me; that's how long I was single!"), the time she was asked to audition her butt for a role, and her experience being a judge on Project Runway ("It's like I had a fashion-induced blackout"). In "What It Was Like, Part One," Graham sits down for an epic Gilmore Girls marathon and reflects on being cast as the fast-talking Lorelai Gilmore. The essay "What It Was Like, Part Two" reveals how it felt to pick up the role again nine years later, and what doing so has meant to her. Some more things you will learn about Lauren: She once tried to go vegan just to bond with Ellen DeGeneres, she's aware that meeting guys at awards shows has its pitfalls ("If you're meeting someone for the first time after three hours of hair, makeup, and styling, you've already set the bar too high"), and she's a card-carrying REI shopper ("My bungee cords now earn points!"). Including photos and excerpts from the diary Graham kept during the filming of the recent Gilmore Girls: A Year in the Life, this book is like a cozy night in, catching up with your best friend, laughing and swapping stories, and--of course--talking as fast as you can.
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© 2016,A poignant, intimate, funny, inspiring memoir--both a coming-of-age story and a meditation on creativity, devotion, and craft--from Bryan Cranston, beloved and acclaimed star of one of history's most successful TV shows, Breaking Bad. Bryan Cranston landed his first role at seven, when his father cast him in a United Way commercial. Acting was clearly the boy's destiny, until one day his father disappeared. Destiny suddenly took a backseat to survival. Now, in his riveting memoir, Cranston maps his zigzag journey from abandoned son to beloved star by recalling the many odd parts he's played in real life--paperboy, farmhand, security guard, dating consultant, murder suspect, dock loader, lover, husband, father. Cranston also chronicles his evolution on camera, from soap opera player trying to master the rules of show business to legendary character actor turning in classic performances as Seinfeld dentist Tim Whatley, "a sadist with newer magazines," and Malcolm in the Middle dad Hal Wilkerson, a lovable bumbler in tighty-whities. He also gives an inspiring account of how he prepared, physically and mentally, for the challenging role of President Lyndon Johnson, a tour de force that won him a Tony to go along with his four Emmys. Of course, Cranston dives deep into the grittiest details of his greatest role, explaining how he searched inward for the personal darkness that would help him create one of the most memorable performances ever captured on screen: Walter White, chemistry teacher turned drug kingpin. Discussing his life as few men do, describing his art as few actors can, Cranston has much to say about creativity, devotion, and craft, as well as innate talent and its challenges and benefits and proper maintenance. But ultimately A Life in Parts is a story about the joy, the necessity, and the transformative power of simple hard work.
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© 2016,Wild, dangerous, and flat-out unbelievable, here is the incredible memoir of the actor, gambler, raconteur, SNL veteran, and one of the best stand-up comedians of all time. As this book's title suggests, Norm Macdonald tells the story of his life--more or less--from his origins on a farm in the-back-of-beyond Canada and an epically disastrous appearance on Star Search to his account of auditioning for Lorne Michaels and his memorable run as the anchor of Weekend Update on Saturday Night Live --until he was fired because a corporate executive didn't think he was funny. But Based on a True Story is much more than a memoir; it's the hilarious, inspired epic of Norm's life. In dispatches from a road trip to Las Vegas (part of a plan hatched to regain the fortune he'd lost to sports betting and other vices) with his sidekick and enabler, Adam Eget, Norm recounts the milestone moments, the regrets, the love affairs, the times fortune smiled on his life, and the times it refused to smile. As the clock ticks down, Norm's debt reaches record heights, and he must find a way to evade the hefty price that's been placed on his head by one of the most dangerous loan sharks in the country. As a comedy legend should, Norm peppers these pages with classic jokes and fondly mythologized Hollywood stories. This wildly adventurous, totally original, and absurdly funny saga turns the conventional "comic's memoir" on its head and gives the reader an exclusive pass into the mad, glorious mind of Norm Macdonald. Advance praise for Based on a True Story "Norm is brilliant and thoughtful and there is sensitivity and creative insight in his observations and stories. A lot of comics over the years have been compared to Mark Twain, but I think Norm is the only one who actually matches the guy in terms of his voice and ability. I seriously f**king love Norm Macdonald. Please buy his book. He probably needs the cash. He's really bad with money." --Louis C.K., from the foreword "Norm is one of my all-time favorites, and this book was such a great read I forgot how lonely I was for a while." --Amy Schumer "I always thought Normie's stand-up was the funniest thing there was. But this book gives it a run for its money." --Adam Sandler "Norm is one of the greatest stand-up comics who's ever worked--a totally original voice. His sense of the ridiculous and his use of juxtaposition in his writing make him a comic's comic. We all love Norm." --Roseanne Barr "Norm Macdonald makes me laugh my ass off. Who is funnier than Norm Macdonald? Nobody." --Judd Apatow "Norm Macdonald is more than a triple threat--he's a septuple threat. He is smart, funny, wry, rakish, polite, rakish . . . no, wait. He is polite, insightful, and . . . aaaaah . . . warm. No. He's exciting. Yeah. Exciting! You never know what he'll do. Okay, then make that unpredictable. Add that up. He's amazing." --Alec Baldwin "Norm only has to grunt to make me laugh. And this book is three hundred pages? Sign me up." --Sophia Amoruso, author of #GIRLBOSS "Norm is a double threat. His material and timing are both top-notch, which is unheard of. He is one of my favorites, both on- and off-stage." --Dave Attell "David Letterman said it best: There is no one funnier than Norm Macdonald." --Rob Schneider From the Hardcover edition.
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© 2016,#1 New York Times Bestseller "Amy Schumer's book will make you love her even more. For a comedian of unbridled (and generally hilarious) causticity, Schumer has written a probing, confessional, unguarded, and, yes, majorly humanizing non-memoir, a book that trades less on sarcasm, and more on emotional resonance." -- Vogue " The Girl with the Lower Back Tattoo is an alternatingly meditative, sexually explicit, side-splittingly hilarious, heart-wrenching, disturbing, passionately political, and always staggeringly authentic ride through the highs and lows of the comedic powerhouse's life to date." -- Harper's Bazaar "Amy's got your back. She's in your corner. She's an honesty bomb. And she's coming for you. " --Actress Tilda Swinton and Trainwreck co-star The Emmy Award-winning comedian, actress, writer, and star of Inside Amy Schumer and the acclaimed film Trainwreck has taken the entertainment world by storm with her winning blend of smart, satirical humor. Now, Amy Schumer has written a refreshingly candid and uproariously funny collection of ( extremely ) personal and observational essays. In The Girl with the Lower Back Tattoo , Amy mines her past for stories about her teenage years, her family, relationships, and sex and shares the experiences that have shaped who she is--a woman with the courage to bare her soul to stand up for what she believes in, all while making us laugh. Ranging from the raucous to the romantic, the heartfelt to the harrowing, this highly entertaining and universally appealing collection is the literary equivalent of a night out with your best friend--an unforgettable and fun adventure that you wish could last forever. Whether she's experiencing lust-at-first-sight while in the airport security line, sharing her own views on love and marriage, admitting to being an introvert, or discovering her cross-fit instructor's secret bad habit, Amy Schumer proves to be a bighearted, brave, and thoughtful storyteller that will leave you nodding your head in recognition, laughing out loud, and sobbing uncontrollably--but only because it's over.
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© 2016,A New York Times bestseller An astonishing--and astonishingly entertaining--history of Hollywood's transformation over the past five decades as seen through the agency at the heart of it all, from the #1 bestselling co-author of Live from New York and Those Guys Have All the Fun. The movies you watch, the TV shows you adore, the concerts and sporting events you attend--behind the curtain of nearly all of these is an immensely powerful and secretive corporation known as Creative Artists Agency. Started in 1975, when five bright and brash employees of a creaky William Morris office left to open their own, strikingly innovative talent agency, CAA would come to revolutionize the entertainment industry, and over the next several decades its tentacles would spread aggressively throughout the worlds of movies, television, music, advertising, and investment banking. Powerhouse is the fascinating, no-holds-barred saga of that ascent. Drawing on unprecedented and exclusive access to the men and women who built and battled with CAA, as well as financial information never before made public, author James Andrew Miller spins a tale of boundless ambition, ruthless egomania, ceaseless empire building, greed, and personal betrayal. It is also a story of prophetic brilliance, magnificent artistry, singular genius, entrepreneurial courage, strategic daring, foxhole brotherhood, and how one firm utterly transformed the entertainment business. Here are the real Star Wars--complete with a Death Star--told through the voices of those who were there. Packed with scores of stars from movies, television, music, and sports, as well as a tremendously compelling cast of agents, studio executives, network chiefs, league commissioners, private equity partners, tech CEOs, and media tycoons, Powerhouse is itself a Hollywood blockbuster of the most spectacular sort.
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© 2016,Introducing Jessi Klein, a Nora Ephron for a new generation. Both a tomboy and a late bloomer, she grew up always feeling like more of an observer than a participant in the rites of modern femininity. YOU'LL GROW OUT OF IT is a funny and incisive collection of real life stories in which Klein explores the milestones of the twenty first century woman: from trying to sculpt the perfect butt (one that looks like two floating tennis balls), to attempting to find watchable porn (the kind where no one cries), and deconstructing Oprah's obsession with taking baths (there's no place on dry land where women are left alone.) Throughout the journey, Klein's voice is both hilariously relatable and raw.
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© 2016,Introducing Jessi Klein, a Nora Ephron for a new generation. Both a tomboy and a late bloomer, she grew up always feeling like more of an observer than a participant in the rites of modern femininity. YOU'LL GROW OUT OF IT is a funny and incisive collection of real life stories in which Klein explores the milestones of the twenty first century woman: from trying to sculpt the perfect butt (one that looks like two floating tennis balls), to attempting to find watchable porn (the kind where no one cries), and deconstructing Oprah's obsession with taking baths (there's no place on dry land where women are left alone.) Throughout the journey, Klein's voice is both hilariously relatable and raw.
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© 2016,Sidney Poitier remains one of the most recognizable black men in the world. Widely celebrated but at times criticized for the roles he played during a career that spanned 60 years, there can be no comprehensive discussion of black men in American film, and no serious analysis of 20th century American film history that excludes him. Poitier Revisited offers a fresh interrogation of the social, cultural and political significance of the Poitier oeuvre. The contributions explore the broad spectrum of critical issues summoned up by Poitier's iconic work as actor, director and filmmaker. Despite his stature, Poitier has actually been under-examined in film criticism generally. This work reconsiders his pivotal role in film and American race relations, by arguing persuasively, that even in this supposedly 'post-racial' moment of Barack Obama, the struggles, aspirations, anxieties, and tensions Poitier's films explored are every bit as relevant today as when they were first made.
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© 2011,An essential sourcebook for putting on a community play. Appeals to local community groups, youth theaters, students, and amateur players wanting to stage a play, and enables members of the public with no prior knowledge to learn how to put on a community theater show.
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© 2011,An essential sourcebook for putting on a community play. Appeals to local community groups, youth theaters, students, and amateur players wanting to stage a play, and enables members of the public with no prior knowledge to learn how to put on a community theater show.
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© 2016,A Monologue is an Outrageous Situation! How to Survive the 60-Second Auditionexplains how to successfully tackle the "cattle call" acting audition with a sixty-second monologue. Through Q&As, tips, director's notes, and a glossary full of outrageous actions meant to inspire the actor into truly connecting with the piece, this book shows actors where and how to find a monologue, edit it, and give the best audition possible.
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© 2014,William Esper, one of the most celebrated acting teachers of our time, takes us through his step-by-step approach to the central challenge of advanced acting work: creating and playing a character. Esper's first book, The Actor's Art and Craft , earned praise for describing the basics taught in his famous first-year acting class. The Actor's Guide to Creating a Character continues the journey. In these pages, co-author Damon DiMarco vividly re-creates Esper's second-year course, again through the experiences of a fictional class. Esper's training builds on Sanford Meisner's legendary exercises, a world-renowned technique that Esper further developed through his long association with Meisner and the decades he has spent training a host of distinguished actors. His approach is flexible enough to apply to any role, helping actors to create characters with truthful and compelling inner lives.
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© 2015,(Applause Acting Series). While contemporary American culture may be fixated on youthful sex appeal, the truth is that the most complex and interesting characters in dramatic literature have been (and still are) those over 40 years old. Whether it's Big Daddy in Cat on a Hot Tin Roof or Halie in Buried Child or Eve in The Good Body , the richest characters are those over 40, whose wealth of experience often helps little when it comes to making the difficult decisions. This volume will mine the deep and fertile vein of world drama (with an emphasis on lesser-known contemporary work) as it relates to monologues for mature actors. The result is certain to be a surprising and enriching one for both the dedicated professional and the inquisitive amateur.
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© 2014,(Limelight). The third volume in dialect coach Robert Blumenfeld's new series on accents, Teach Yourself Accents: Europe, A Handbook for Young Actors and Speakers covers the European accents most useful for the stage and screen: French, German, Italian, Russian, Spanish, Swedish, and Yiddish. The most important features of each accent are detailed, enabling the actor to begin immediately to sound authentic, and Mr. Blumenfeld's unique approach makes the accents easily comprehensible. The incisive, succinct introduction to studying any accent is useful above and beyond the specific details of the accents covered here. The book provides a wealth of references to films where the reader can listen to authentic examples of the accents, and information as to what roles require the accents. There are extensive practice exercises, all recorded on the accompanying CD, as well as a selection of monologues and scenes. All of this makes the book not only a perfect guide for the young acting student but also an authoritative reference for more experienced actors and for speakers of all levels.
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© 2015,Trickster Theatre traces the changing social significance of national theatre in Ghana from its rise as an idealistic state project from the time of independence to its reinvention in recent electronic, market-oriented genres. Jesse Weaver Shipley presents portraits of many key figures in Ghanaian theatre and examines how Akan trickster tales were adapted as the basis of a modern national theatre. This performance style tied Accra's evolving urban identity to rural origins and to Pan-African liberation politics. Contradictions emerge, however, when the ideal Ghanaian citizen is a mythic hustler who stands at the crossroads between personal desires and collective obligations. Shipley examines the interplay between on-stage action and off-stage events to show how trickster theatre shapes an evolving urban world.
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© 2007,This book is a study of theatre's educational role during the 20th and the first years of the 21st centuries. It examines the variety of ways the theatre's educational potential has been harnessed and theorised, the claims made for its value and the tension bettween theatre as education and theatre as 'art': between theatre's aesthetic dimenstion and the 'utilitarian' or 'instrumental' role for which it has so often been pressed into service.Following a preliminary discussion of some key theoretical approaches to aesthetics, dramatic art and learning and, above all, the relationships between them, the study is organised into two broad chronological periods: early developments in European and American theatre up to the end of World War II, and participatory theatre and education since World War II. Within each period, a cluster of key themes is introduced and then re-visited and examined through a number of specific examples - seen within their cultural contexts - in subsequent chapters. Topics covered include an early use of theatre to campaign for prison reform; workers' theatre, agit-prop and American living newspapers in the 1930s; theatre's response to the dropping of the atom bomb in 1945; post-war theatre in education; theatre in prisons; and the use of performance in historic sites.
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© 2004,Andrew Gurr's classic account of Shakespeare's historical audience assembles evidence from the writings of the time to describe the physical, social and mental conditions of playgoing. In addition to revising and adding new material which has emerged since the second edition, Gurr develops new sections about points of special interest. Fifty new entries have been added to the list of playgoers and a dozen new quotations about the experience of playgoing. Second Edition Hb (1996): 0-521-58014-5 Second Edition Pb (1996): 0-521-57449-8
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© 2015,Biblical texts have inspired more than 100 Broadway plays and musicals, ranging from early spectacles like Ben-Hur (1899) to more familiar works such as Godspell and Jesus Christ Superstar . What happens when a culture's most sacred text enters its most commercial performance venue? Playing God focuses on eleven successful productions, as well as a few notable flops that highlight the difficulties in adapting the Old and New Testaments for the stage. The book is informed by both performance studies and theater history, combining analysis of play scripts with archival research into the actual circumstances of production and reception. Biblical plays, Henry Bial argues, balance religious and commercial considerations through a complex blend of spectacle, authenticity, sincerity, and irony. Though there is no magic formula for a successful adaptation, these four analytical lenses help explain why some biblical plays thrive while others have not.
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© 2014,In eighteenth-century England, actresses were frequently dismissed as mere prostitutes trading on their sexual power rather than their talents. Yet they were, Felicity Nussbaum argues, central to the success of a newly commercial theater. Urban, recently moneyed, and thoroughly engaged with their audiences, celebrated actresses were among the first women to achieve social mobility, cultural authority, and financial independence. In fact, Nussbaum contends, the eighteenth century might well be called the "age of the actress" in the British theater, given women's influence on the dramatic repertory and, through it, on the definition of femininity. Treating individual star actresses who helped spark a cult of celebrity--especially Anne Oldfield, Susannah Cibber, Catherine Clive, Margaret Woffington, Frances Abington, and George Anne Bellamy-- Rival Queens reveals the way these women animated issues of national identity, property, patronage, and fashion in the context of their dramatic performances. Actresses intentionally heightened their commercial appeal by catapulting the rivalries among themselves to center stage. They also boldly challenged in importance the actor-managers who have long dominated eighteenth-century theater history and criticism. Felicity Nussbaum combines an emphasis on the actresses themselves with close analysis of their diverse roles in works by major playwrights, including George Farquhar, Nicholas Rowe, Colley Cibber, Arthur Murphy, David Garrick, Isaac Bickerstaff, and Richard Sheridan. Hers is a comprehensive and original argument about the importance of actresses as the first modern subjects, actively shaping their public identities to make themselves into celebrated properties.